Class-A Stereo Impulse Shaper
€ 1.318,49 917,21 Ex VAT
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Normally shipped in 8-10 working days
nvelope operates independently of the specific level of a signal, and you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek.
Full Range mode is especially fast and easy to use, as all you need to do is dial in more or less attack and sustain by turning their specific controllers to the left (reduction) or to the right (increase).
Similar to a compressor and unlike in Dual Band mode, you can use the Freq A controller to reduce the influence of low frequencies on the attack processing (higher frequency = less bass influence).
The attack and sustain parameters become much more flexible by selectively processing a certain frequency range chosen by the user.
The Freq A controller now sets the start frequency for attack processing, while the Freq S controller determines the end frequency for sustain processing. The function of the Attack and Sustain controllers remains the same as in Full Range mode.
So it is pretty likely you’ll find yourself using the Dual Band mode in any situation where you would like to adapt the way the nvelope processes more individually and on material which tends to produce unwanted artifacts in Full Range mode.
A very nice side effect of the topology of nvelope is that it can also be used as a shelving filter. This is achieved by temporarily deactivating its dynamics sections while keeping the filter stages active.
Freq A now sets the frequency of the high shelf filter, while Attack determines the amount of cut (turn left) or boost (turn right) in this band. Similarly, Freq S sets the frequency of the low shelf filter and Sustain determines the amount of cut or boost.
The two channels be used as two separate equalizers at the same time, or be linked together for processing stereo material as well.
nvelope has two channels of Full Range or Dual Band impulse shaper or shelving EQ, which can be operated stereo linked or dual mono.
But, the two separate channels can also be used for different tasks at the same time. For example, you can shape one signal in Dual Band mode in channel L and a completely different signal in Full Range mode in channel R.
Or, you can connect the output of channel L to the input of channel R, and then process the frequency response of one single signal with the EQ first, followed by some nice Dual Band impulse shaping.
There are lots of possible combinations.
Boosting the attack in Full Range mode can sometimes result in some pretty huge level peaks. These can make your processed signal sound uneven, and in the worst case they will create the nasty kind of distortion you don’t want.
nvelope solves this with the Auto Gain function. This simple button makes the impulse shaper automatically compensate stronger level peaks, so this can be the solution for many level-related issues caused by the attack processing.
Auto Gain is typically not needed in Dual Band or EQ operation and therefore not offered in this mode.
The header says it all, but you might want to have a look at the possible channel combinations resulting from this. Ultimate flexibility!
Stereo Link:
2 x Full Range, 2 x Dual Band, 2 x EQ
Dual Mono:
Full Range – Full Range, Full Range – Dual Band, Full Range – EQ
Dual Band – Full Range, Dual Band – Dual Band, Dual Band – EQ, EQ – Full Range, EQ – Dual Band, EQ – EQ
The nvelope is a powerful tool for editing individual tracks during mixing, nvelope|Mastering Edition is specifically designed to take your mastering process to the next level.
Achieve professional-grade results with precise parameters, seamlessly elevating your mixes, stand out in the industry, and immerse yourself in a streamlined workflow. Use it on percussive material or use the EQ function to make your mix shine.
Unleash your creativity and leave an indelible mark on your audience with the nvelope|Mastering Edition.
nvelope|Mastering Edition features precise control range of +/- 5dB with the gain parameters, allowing for accurate and repeatable adjustments of parameters. With various additional stepped potentiometers, and a very accurate detailed scale, it caters to demanding mastering needs. Its transparent processing preserves audio integrity, making it a go-to tool for precise and professional-grade mastering, empowering engineers and producers.
Stepped potentiometers provide professionals and enthusiasts with the ultimate solution for achieving precise control.
The improved interface provides tactile feedback for quick and accurate adjustments.
With their numerous advantages, these potentiometers are the go-to choice for those seeking accuracy and recall ability with nvelope|Mastering Edition
The nvelope plugin comes with a few optimizations which were not possible on the hardware for technological reasons or space constraints, further improving the workflow on the DAW. The three different modes can be toggled with a single button instead of the two button matrix, and the lettering of the controllers changes accordingly.
Also, the plugin version features an additional gain trimmer which could not be placed on the panel of the original hardware, which is a welcome addition to the Auto Gain function.
Frequency response: <10 Hz – 400 kHz (-3,0 dB)
THD+N @ 0 dBu, 20 Hz – 22 kHz: 0,006 %
THD+N @ +10 dBu, 20 Hz – 22 kHz: 0,01 %
Noise floor, 20 Hz – 22 kHz (A-weighted):
Full Range & EQ Mode: -90 dBu
Dual Band Mode: -87 dBu
Dynamic range, 20 Hz – 22 kHz: 112 dB
Level:
Input: +21 dBu
Output: +21 dBu
Impedance:
Input: 10 kOhm
Output: 68 Ohm
Dimensions (W x H x D, incl. Knobs):
1 HE Rack: 19” x 1,75“ x 9,4“ 483 mm x 44,45 mm x 238 mm
Weight:
1 HE Rack: 3,88 lbs / 1,76 kg
Power consumption:
1 HE Rack: 12 Watts
Channels
2 (Stereo)
Hardware format
Rack
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