Triggers, Accent and Volume
6m0d6 instruments are triggered via the 7 trigger inputs. Additionally an Accent Gate input, An Accent CV input and an accent amount pot are available. Combined, multiple Trigger, Accent and Volume control modes are possible.
Trigger lengths
Incoming triggers will be internally shortened to 1.2ms to ensure proper sounding instruments. Amplitude and shape of the triggers are maintained, however. For the cymbal, this pulse shaper can be disabled, allowing complete control of the Cymbal sound.
Dynamics
6m0d6 includes many ways to dynamically control instrument volumes allowing rich, natural drum patterns:
a) All instruments can be played dynamically. Trigger voltages between 1V and 15V are possible. Depending on the amplitude of the triggers, not only the instruments volumes, but also their sound will change – just like a real drum kit.
b) If the Accent Gate input is not plugged in, the volume of the instruments can be controlled with the Accent amount knob.
c) The Accent Gate input can be used to turn on and off Accented sounds (volume determined via the Accent Amount knob)
d) If the Accent CV is plugged in, the Accent Amount knob acts as an attenuator for volume CV-control.
Noise and Metal
The original 606 uses white noise for the Snare Drum and a ‘Metal’ sound for the Hihats and Cymbal. We added a third XOR ringmod sound source and you can select between all three sounds for each instrument.
The white noise is generated digitally and can be reduced in quality for extra lofi bit-crushing instruments. This can be controlled via the Noise Tune knob and with the N.Tune CV-input.
At the highest quality setting, the noise emulates the original 606 noise distribution and frequency spectrum using a DSP algorithm.
Cymbal and Hihats originally use a metal sound created by mixing six square-wave oscillators with specific frequencies. The parameter Metal Tune allows you to change the pitch of these oscillators up or down. With Metal Spread you can change the relative pitch of the oscillators. Turn the knob to the very left and all oscillators have the same pitch, in the middle you get the original pitch difference and from there you can increase the spread even more.Both parameters can also be controlled via CV inputs, the Tune CV is 1/Oct compatible, which means you can play the metal sound in tune.
And even more is possible via MIDI.
Outputs and Mixer
6m0d6 includes volume pots for each instrument with individual outputs and a mix output.
Instruments are available at the mix outputs as long as nothing is plugged into the individual outputs. Plugging into an individual output will remove said instrument from the mix output.
Bass Drum
The 606 bass drum consists of two damped oscillators with fixed frequencies.
Snare Drum
The Snare Drum consists of two parts. A damped oscillator creating the snare body and a decaying noise sound creating the snare sound.
Toms
The Toms are damped oscillators with a low-passed noise decay part that simulates reverb.
Cymbal
The original 606 cymbal consists of two bandpass filtered parts with different filter frequency and different amplitude envelopes which are fed by the metal noise source.
Hihats
The 606 hihats are created from a decaying, filtered metal sound. Open and closed hihats use different envelopes, but the same sound generation. The closed hihat cuts off the open hihat.
In the original 606, the open hihat decay is tempo dependent. With a faster clock, the hihat decays faster. This clock dependency is not necessary for 6m0d6 because the decay time can be manually set to the user’s liking.
CV-inputs
Several parameters can be controlled via CV inputs. All inputs are bipolar and have a usable voltage range between -5V and +5V. They can accept voltages greater +/-12V without damage.
Depth
25 mm
Width
24 hp
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