SPL Channel One

Channel One è dotato di tutti gli strumenti integrati necessari per la registrazione di voci e strumenti con la massima qualità del suono.

SPL
SKU: 47827
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SPL Channel One

Channel One è dotato di tutti gli strumenti integrati necessari per la registrazione di voci e strumenti con la massima qualità del suono.

Each stage contributes to the concept as the ideal recording front-end for world-class sounds the easy way: intelligent automation ensures both intuitive and fast as well as musical operation for the finest recording results.

Preamplifiers

  • The microphone input features 48V phantom power, phase reverse function and a subsonic filter.
  • The low-impedance Line input has a precise balancing stage for connecting studio equipment.
  • The low-noise, high-impedance instrument input is easily accessible on the front panel.

De-Esser

The renowned SPL De-Esser subtly yet effectively removes offending sibilants by reliably eliminating only the “S” frequencies with its unique phase-cancelling processing technology. Auto-Threshold ensures constant processing even with varying microphone distances. All you need do is to turn the knob until the sibilants are gone.

Insert

The Insert (Send/Return) allows for insertion of external processors like reverb or delay or can be used to record the pure preamplifier signal.

Compressor/Limiter/Gate

This section is based on SPL’s Double-VCA-Drive® circuitry for outstanding noise and distortion characteristics. The compressor is extremely easy to use via a single knob. But the signal-dependent automation not only allows for set and forget operation, it also grants very muscial results in any situation. Actually it is much more difficult to destroy a recording with wrong compression settings. The Noise Gate sports an Auto-Release circuit that click-free cleans the vocal track

3-band EQ

The Channel One provides a new EQ design especially optimized to process vocals, acoustic and electronic instruments. Low, Mid Hi, and Air-Bands allow for both corrective adjustments and/or effective sound designing processing. Gadget: a distortion control might be useful sometimes to apply sublte distortions to signals to make them better cut through the mix.  

Specifiche Tecniche

Frequency response: 10Hz-100kHz (100kHz = -3dB) Common mode rejection: 1kHz: -80dB 10kHz: -78dB THD & N (mic preamp) (A-weighted): 20dB: -97,1dBu 40dB: -91,1dBu 65dB: -69,4dBu THD & N (line/instr. preamp) (A-weighted) 5dB: -99,4dBu 20dB: -97,2dBu 42dB: -79,4dBu Input impedance: Line: 20 kOhm / Instr.: 1 MOhm Max. input level: Line: +22dBu / Instr.: +14dBu Dynamic range: 119dB Max. output level XLR / Jack: +20dBu Output impedance: <50 Ohm Headphone Amplifier Gain (mic input and 0dBu output level) -20dBu at 25% -10dBu at 40% -5dBu at 55% 0dBu at 70% +5dBu at 75% +10dBu at 90% +14dBu at 100% Power Supply Toroidal transformer 20 VA Fuses 315 mA (230 V / 50 Hz) Fuses 630 mA (115 V / 60 Hz) Voltage Selector 230V / 115V Ground Lift switch Dimensions & Weight WxHxD: 482x88x210 mm; 19"x3.46"x8.27" Weight 4.15kg;9.15lbs

Channels

1 (Mono)

Hardware format

Rack

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