€ 350,90 Ex VAT
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In the field of audio engineering, Dave Harrison , the founder of Harrison Audio , stands out as a pioneer in the development of music production technology. Ironically, Dave Harrison himself was initially skeptical of compressors , a sentiment shared by his friend and legendary music producer and engineer Bruce Swedien. Both were convinced that music should be captured authentically, without interference. However, the need for compressors arose from the demands of the broadcast market, which was looking for a tool to control dynamics and prevent clipping. To meet this demand, Harrison Audio ventured into the realm of compressors and the result proved to be extremely effective. Its very transparent 'leveling' capabilities, achieved with only a few dB of gain reduction quickly made it indispensable in music production, particularly on vocals, guitars and other instruments with a wide dynamic range. Over time, the timbre of this processor became iconic, turning it into a much sought-after compressor , especially for the vibrations it can give when gain reduction is taken to extreme levels. Dave Harrison 's initial skepticism resulted in an instrument that not only met the demands of the broadcast market, but also became a must-have in the world of music production. Thanks to the Comp module, Harrison 's distinctive sound is now accessible in the 500 Series format.
Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagen and many other iconic artists have relied on Harrison production tools to create their multi-platinum albums. Harrison 's latest range of 500 series modules harness the sound and features trusted by engineers such as Bruce Swedien, Roger Nichols, and Reinhold Mack to create music that stands the test of time.
The Comp 500 series module is based on a classic "feed-forward" design that uses a THAT 2180 VCA chip for exceptional analog performance. Compressor Attack is program-dependent, adapting to the input signal and providing an optimal attack time based on the source material. Release time is continuously variable. These parameters can transform the Comp module from a transparent processor to a vibrant compressor full of saturation, adding character and emotion to a wide range of sources.
The Comp module is a very flexible dynamics processor. From transparent compression on guitars and vocals, using a 1:2 ratio and quick release, applying 2-3 dB of gain reduction, to a vibrant compressor for drums and bass, with a higher compression ratio in combination with a slow release. The Comp 500 series module is a well-made, no-frills compressor . Your secret production ingredient: you will put it on everything.
Channels
1 (Mono)
Hardware format
500 Series
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